tag:blogger.com,1999:blog-13035008.post113890789600488121..comments2023-10-30T02:01:52.141-07:00Comments on My jazz guitar journey: A John Stowell lessonSteven Rosenberghttp://www.blogger.com/profile/13455188981058391220noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-13035008.post-64373398991580239472009-08-15T02:56:37.771-07:002009-08-15T02:56:37.771-07:00Hi there, do you have any of the sheeets he hands ...Hi there, do you have any of the sheeets he hands out? i am trying to find the ones with the chord voicings. i am finding it QUITE hard yo transcribe! :@D Thanks for the great blog.<br /><br />bazmatronics.blogspot.com<br /><br />Barry EdwardsBazmatronicshttps://www.blogger.com/profile/08552729236064437226noreply@blogger.comtag:blogger.com,1999:blog-13035008.post-1143664010253881062006-03-29T12:26:00.000-08:002006-03-29T12:26:00.000-08:00Thanks, Christopher. Ted Greene also addresses thi...Thanks, Christopher. Ted Greene also addresses this in "Single Note Soloing, Vol. 1," I believe. Just saw it the other night. I'll have to look for the exact explanation, other than the fact that the triad pops out of another scale for the original chord.<BR/><BR/>Ted said he would elaborate further in a chapter on polytonality, but at the end of Vol. 2, he writes, "the promised chapter on polytonality never even made it in here." Wish he had gotten to that AND pentatonics and the blues scale ... oh well.Steven Rosenberghttps://www.blogger.com/profile/13455188981058391220noreply@blogger.com